[Contingut] [Navegació] [Tornar a l'inici]

Discursos i declamacions

  • Discurs fúnebre a la pel·lícula Quatre bodes i un funeral (Four weddings and a funeral) (1994) de Mike Newell.

  • Discurs de l'oftalmòleg al principi de la pel·lícula Delictes i faltes (Crimes and Misdemeanors) (1989) de Woody Allen.

  • Reproducció d'uns famosos versos de Hamlet per part de Withnail a la pel·lícula Withnail and I (1987) de Bruce Robinson. 

    Transcripció del fragment: "I have of late -but wherefore I know not- lost all my mirth and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory. This most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears nothing to me than a foul and pestilent congragation of vapours. What a piece of work is a man! How noble in reason, how infinite in faculties, how like an angel in apprehension, how like a god - the beauty of the world, the paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me -no, nor women neither"

  • Discurs polític d'un candidat a president a la pel·lícula El hombre que mató Liberty Valance (The man who shot Liberty Valance) (1962) de John Ford.

  • Discurs de presentació del jutge a la pel·lícula Anatomia d’un assassinat (Anatomy of a Murder) (1959) d'Otto Preminger.

  • Discurs de Pepe Isbert a la pel·lícula Bienvenido Mister Marshall (1952) de Luís García Berlanga.

  • Soliloqui "To be, or not to be" de Hamlet a la pel·lícula Hamlet (1948) de Laurence Olivier.

    Transcripció del fragment: "To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? To die: to sleep; no more; and by a sleep to say we end the heart-ache and the thousand natural shocks that flesh is heir to, 'tis a consummation devoutly to be wish'd. To die, to sleep; to sleep: perchance to dream: ay, there's the rub; for in that sleep of death what dreams may come when we have shuffled off this mortal coil, must give us pause: there's the respect that makes calamity of so long life; for who would bear the whips and scorns of time, the oppressor's wrong, the proud man's contumely, the pangs of despised love, the law's delay, the insolence of office and the spurns that patient merit of the unworthy takes, when he himself might his quietus make with a bare bodkin? who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death, the undiscover'd country from whose bourn no traveller returns, puzzles the will and makes us rather bear those ills we have than fly to others that we know not of? Thus conscience does make cowards of us all; and thus the native hue of resolution is sicklied o'er with the pale cast of thought, and enterprises of great pitch and moment with this regard their currents turn awry, and lose the name of action. -Soft you now! The fair Ophelia! Nymph, in thy orisons be all my sins remember'd."

  • Recitació paròdica del "Ser o no ser" de Hamlet a la pel·lícula Ser o no ser (To be or not to be) (1942) d'Ernst Lubistch.

  • Discurs fúnebre a la pel·lícula Las uvas de la ira (The grapes of wrath) (1940) de Henry Fonda.

Lletresibits.cat ~ crèdits ~ avís legal